Diploma & Master Studdent of Andreas Gursky
Diploma & Meisterschüler bei Andreas Gursky
University of the Arts Berlin, Germany, Prof. Hito Steyerl (Guest studies)
University of the Arts Berlin, Germany, Prof. Hito Steyerl (Guest studies)
Kunstakademie Düsseldorf, Germany, Prof. Keren Cytter, Prof. Andreas Gursky and Prof. Johannes Paul Raether
Kunstakademie Düsseldorf, Germany, Prof. Keren Cytter, Prof. Andreas Gursky and Prof. Johannes Paul Raether
Academy of Fine Arts Vienna, Austria, Prof. Gunter Damisch
Academy of Fine Arts Vienna, Austria, Prof. Gunter Damisch
Zurich University of the Arts, Switzerland
Zurich University of the Arts, Switzerland
Isabella Fürnkäs (*1988 in Tokyo) is the recipient of the Förderpreis des Landes NRW for media art and of the Paris Cité Internationale des Arts grant. In 2017 she received a travel grant from the Kunstverein für die Rheinlande und Westfalen as well as a residency from the Goethe Institut. She is Meisterschüler of Andreas Gursky, studied with Keren Cytter and Johannes Paul Raether at the Kunstakademie Düsseldorf and at the Universität der Künste Berlin as a guest student with Hito Steyerl.
Previously, she studied art history and philosophy at the Universität zu Köln, the Zürcher Hochschule der Künste, as well as fine arts at the Akademie der Bildenden Künste Wien. She uses different media such as Drawing and Video in her work and combines them into installations with performances. Since 2015 she has also worked as part of a performance-duo with Lukas von der Gracht.
Her work has recently been exhibited at the Nam June Paik Art Center Seoul, the Museum Abteiberg (with Lukas von der Gracht), CSA Space Vancouver, and in the project space of the Julia Stoschek Collection in Düsseldorf.
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Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry's standard dummy text ever since the 1500s, when an unknown printer took a galley of type and scrambled it to make a type specimen book. It has survived not only five centuries, but also the leap into electronic typesetting, remaining essentially unchanged. It was popularised in the 1960s with the release of Letraset sheets containing Lorem Ipsum passages, and more recently with desktop publishing software like Aldus PageMaker including versions of Lorem Ipsum.
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